So what actually happens on yoga retreat (with me)?

“It isn’t at all untrue to say that being on retreat with Matt was genuinely a life changing experience for me. Being able to come away and connect with Matt’s yoga and meditation teaching, with nature, with delicious food and with a really genuine group of humans, was hugely meaningful. Tilton House is an incredible setting; warmth radiates equally from the log fires, the kitchen, and the host; and practicing in a yurt listening to the rain outside is really quite magical - you chose a great spot!”
— Retreat Participant, November 2018
Joining a yoga retreat is a wonderful opportunity to deepen your exploration of the practice...no matter what your previous level of experience

Joining a yoga retreat is a wonderful opportunity to deepen your exploration of the practice...no matter what your previous level of experience

Are you curious about joining your first yoga retreat but not sure what to expect? In which case, read on...

Joining a yoga retreat can be a truly precious gift to yourself - an opportunity to immerse yourself in a sustained period of practice and a way to deepen your understanding of yoga, no matter what your previous level of experience has been. 

But if you're newer to yoga and you've not been on retreat before then I'm conscious that it can perhaps seem a little daunting to take that first step. I well remember feeling the exact same way...

Will you be surrounded by elite level 'gymnast-yogis' with the teacher exhorting them to wrap themselves into ever more exotic contortions? Do you have to be able to do a handstand? Will you be hit with a stick if you inadvertently slouch during meditation?

The answer to all of these questions is a definitive no...at least not on my retreats!

My intention for running retreats is to leave all participants feeling more centred and grounded at the end of our time together...more connected to their practice, more connected to their bodies and breath. And perhaps more connected to a sense of inner stillness.

We will of course deep-dive into the postural aspects of the practice, but with the greater time afforded to us we'll also have time to explore pranayama (breathing techniques), meditation and other elements of practice.

There will be time for open discussion about different aspects of the practice (philosophy, anatomy etc.) and time too for relaxation...to read, write, sleep or explore the surrounding countryside as you see fit - an increasing rarity in this day and age. 

morocco-balcony.jpg

Another wonderful aspect of retreats is the opportunity to spend time in a transformative space with like minded yogis and to forge new friendships. Many people who I consider to be amongst my very best friends are people who I first met on a yoga retreat.

And at the risk of over-promising, it's amazing how taking time out to pause and find stillness often opens up the space for us to connect to our sense of creativity, vision and purpose. 

In fact it was whilst on retreat with one of my own teachers that I decided I wanted to spend my life teaching yoga and meditation to others...who knows what might open up for you?

Matt’s yoga retreat gave me the physical, mental and emotional space to practice yoga and explore meditation with ease and confidence.

A safe, warm and encouraging environment filled with friendly people
— Retreat Participant, July 2019

Working with our Inner Critic

This post was originally posted on my Instagram feed on World Mental Health Day. 

The demon Mara who tried to tempt the Buddha on the eve of his enlightenment

The demon Mara who tried to tempt the Buddha on the eve of his enlightenment

Mental health issues are something that most of us will struggle with to some degree in our lives and it's really positive that these issues are beginning to be spoken of more openly and honestly. 

For me a trigger can often be the mutterings of my inner critic - that voice telling me I'm not good enough, not this enough, not that enough...blah blah blah!

The above image is of the powerful demon Mara who tried to tempt and frighten the Buddha on the eve of his enlightenment in order to prevent him from attaining liberation. Mara can be considered to be a representation of this inner critic, this sense of self-doubt or lack - something that can attack at any time leaving us feeling depleted and dejected. 

Of course Mara failed - the Buddha saw Mara's efforts for what they were and made a physical gesture, touching the earth to steady himself, at which point Mara disappeared and the Buddha attained enlightenment. 

The guidance of one of my teachers, Martin Aylward, has been immensely valuable in helping me to work with these patterns of the mind. Helping me to see critical thoughts for what they are and thus loosening their power to limit or crush. And in the same way that the Buddha touched the earth, making a physical gesture when these thought patterns arise can sometimes help to stop them in their tracks. 

It's something I need to be constantly vigilant about...Mara is a sneaky ****er and occasionally it feels like he's got the upper hand. But finding respite from the power of the inner critic helps to open up a sense of ease and spaciousness with what is, a knowing that we are indeed enough just as we are. In Martin's words "When judgement ceases, there is unconditional space to be. Space for the love and ease, spaciousness and responsiveness that are the natural resting places of the liberated heart."

My Top 5 Tips For Mastering Hand Balances

Bakasana - crane pose

Bakasana - crane pose

Hand balances are hands down (sorry!) my favourite type of pose - for me they bring a wonderfully fun and playful quality to our yoga practice. 

They also invite us to undertake a curious exploration of our perceived boundaries, patterns and possibilities - fear, striving, exhilaration and frustration are all likely to arise at different points in the exploration…and all can be held with friendly awareness. 

In fact they're a significant reason as to why I fell in love with yoga practice in the first place - I loved the challenge that they presented, even though I was rarely able to hold the poses for long (if at all). 

Over the years of practicing yoga I have increasingly come to appreciate that hand balances are not simply (or even primarily) a question of strength. Of course a degree of strength is involved  - but the practice of balancing on our hands is really more a question of refined technique. 

So...to help you take your hand balance practice to the next level, I have outlined below 5 key principles for safely exploring these wonderful poses. 

1. Use your hands as feet

This might sound obvious…but it's critical that we build the foundations through our hands correctly (just as we set up the feet properly in standing poses) by activating 'hasta bandha' (hand lock or seal - also know as the ‘cambered hand’ position).

hasta bandha

Hasta bandha - or the cambered hand position - creates a strong foundation for hand balances

To do this spread your fingers wide with your index fingers pointing VERY SLIGHTLY away from centre and focus on actively rooting the hands down into the mat.

Most importantly ensure that there’s a strong connection into the earth through the undersides of the knuckles - and that the weight isn’t sinking into the heels of the hands and wrists.

Once the hands are set, squeeze the floor with your fingertips to create a subtle 'cupping' action of the centre of the palm.

Setting the hands up in this way helps to provide a much greater sense of stability and foundation in hand balances - it also helps to avoid injuries that can be caused by weight collapsing into your wrists.

2. Stabilise the shoulders

Our shoulders are built primarily for mobility rather than for stability - in fact they are the most mobile joints in our bodies.  

So in order to safely engage our shoulders during hand balance practice we have create as much stability as we can through these joints.

We do this by ensuring that the head of the upper arm bone (the humerus) is properly 'plugged into' the shoulder socket by rolling your inner bicep forward and the outer arm back (external rotation)…so that the 'eye' of your elbow is in line with your thumb. 

Additionally, broaden and flatten your shoulder blades across the back and draw them forward so that they don't wing upwards and away from the body - this can strain the muscles of the rotator cuff surrounding the shoulder joint (causing further instability). 

3. Hug your elbows to your centre line

When you bend your elbows, hug them in towards your mid line so that your forearms are parallel to one another rather than bending your elbows out sideways either side of the body. 

Again this helps to stabilise your shoulders and it also creates a strong skeletal structure upon which we can 'stack' the rest of body in some hand balance poses - reducing the amount of muscular effort we need to invest.

4. Use your whole body

You will never knowingly underwork in a hand balance - so if you’re struggling then pushing harder is rarely the answer. 

Instead you have to understand the relationship between each part of the body and how these work together in combination to take a particular posture.  

Plank pose

Plank pose

Think about a simple plank pose (a foundational pose for all hand balances) - in order to hold your plank you need to activate muscles throughout the entire chain of the body to avoid collapsing towards the floor. 

We can apply similar principles to more challenging arm balances. 

For example in Bakasana (pictured at the top of this post) we need to activate our hip flexors to draw the knees in towards the body and the adductors to hug the knees against the upper outer arms. 

Without understanding how to access and activate these muscles, the pose is simply not possible. 

5. Don’t cheat the process 

I know how tempting it is to want to ‘get the pose’ - I often fall into that trap myself. 

But when approaching hand balance poses we really need exercise patience and be prepared to spend time working on foundational movements that help us to build towards the particular posture that we’re looking to take.

This will help us to approach our exploration safely - building strength and technique without the risk of injury. 

Cat pose

Cat pose

Again, thinking of Bakasana…you can see from the above picture that the position of my spine is not too dissimilar from a basic cat stretch.

So spend lots of time in cat pose actively pressing down through the hands to slightly round the spine and feel a sense of the front body ‘lifting’ towards the back body. 

And then when it comes to actually practising Bakasana, be prepared to start with the elbows bent and with the tips of the toes still resting on the floor.

From there, and over time, you can explore raising one foot at a time (maybe with the forehead resting against a wall for more support) to build the strength required to eventually take the second foot up as well.

But do make sure that you’ve really mastered each stage on the journey before progressing to the next. 

Ok, so that’s it…my Top 5 hand balance tips. I hope you’ll find them useful. 

As I mentioned at the start of this post I love hand balances for the playful quality they can bring to our yoga practice. 

Embrace this playfulness and use the above tips to safely approach your exploration of these wonderful poses - it might take a little while to get the hang of some of them but with persistence, they'll come.

And if you have any further questions or would like to work with these poses on a one to one basis then please do get in touch.